Ep. 51 – Novelist Ned Beauman on Venomous Lumpsuckers and the Price of Extinction

In the not-too-distant future, twelve years after the last non-cloned giant panda has died, when biobanks of genetic data are the sole remnant of tens of thousands of vanished species, extinction has become an industry unto itself. A market of extinction credits – vouchers granting the right to kill off the last of a species – has made the eradication of the world’s biodiversity just another cost for companies. A cost that, thanks to loopholes and definitional workarounds, has become almost negligible. It’s a bleak future that, in the hands of British novelist Ned Beauman, becomes the backdrop to an arresting, cutting, and devastatingly funny story of two peoples’ quest to hunt down a very ugly, very intelligent, and very vengeful fish, the venomous lumpsucker. 

“I think in the universe, there’s a whole spectrum of other minds,” Beauman tells us. “Some of them are probably in clouds of cosmic gas, some of them are in fish, some of them are on a server at Microsoft somewhere. They can all do different selections of things. There’s a whole rainbow of different minds in the universe. It’s like one of those n-dimensional scatter graphs. The minds are in different locations on the graph, but there’s no pyramid where humans are at the top. The idea that we could ever be at the top is an illusion that I think will only last ten more years.” Photo by Alice Neale.

Venomous Lumpsucker, Beauman’s satirical, vivid, tour-de-force fifth novel, follows Karin Resaint, an animal intelligence biologist, and Mark Halyard, an environmental impact coordinator for a multinational mining company, who each, for very different reasons, have a whole lot riding on finding any survivors of the eponymous species. Their mission takes readers across a Northern Europe 15 or so years in the future–one that’s been shaped by now-crumbling neoliberal efforts to rein in species collapse and climate change. From a biodiversity reserve that runs on revenue from extinction credits to a floating city that’s a regulation-free haven of biotech development, Resaint and Halyard search across set pieces at once both shocking and deeply believable. All the while, these two ill-matched, profoundly memorable characters debate the morality of human-caused species extinction and what cost–or even penance–we should have to pay for our destruction. 

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